June 12, 2018
June 2018 Soundtrax column has posted:
May 27, 2018
A Tribute to Joel Goldsmith (1957-2012)
May 10, 2018
Yoko Kanno: The Greatest Composer You’ve Never Heard Of
An excellent article by John Bull from medium.com
In the world of anime, there are a few individuals whose name alone is enough to guarantee that a series will be worth watching. Composer and arranger Yoko Kanno is a member of that small, select group. In a career that has so far spanned almost thirty years, she has written, performed and arranged some of the most iconic and memorable soundtracks the world of anime has ever seen.
Read the story at medium.com
A Conversation With Bear McCreary, the Composer King of Comic-Con
The man behind the music in ‘God of War,’ ‘The Walking Dead,’ ‘Outlander,’ ‘Battlestar Galactica,’ and myriad other sci-fi, fantasy, and horror creations on his composing idols, his aversion to being typecast, becoming the sound of sci-fi, and more – by Ben Lindbergh.
Read the story over at theringer.com
April 2018 Soundtrax column has posted:
My March 2018 Soundtrax column has posted:
Read the column at buysoundtrax here
My June 2017 Soundtrax column has posted:
- Lorne Balfe – Scoring LEGO BATMAN MOVIE
- Martco Beltrami – Scoring GODS OF EGYPT
- Tyler Bates – Scoring THE BELKO EXPERIMENT, ATOMIC BLONDE
- ALIEN: COVENANT (Kurzel/Milan), EAST OF EDEN/BEASTMASTER/WIZARDS & WARRIORS etc. [Gerhardt LSO] (Holdridge/BSX), GUARDIANS OF THE GALAXY 2 (Bates/Marvel), JUSTICE LEAGUE DARK (Kral/La-La Land), LEGEND OF THE LICH LORD (Valenti/Howlin’ Wolf), LIVIDE (Gesqua/Kronos), PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (Zanelli/Disney), THRILLER TV (Goldsmith/Tadlow & Silva Screen), WONDER WOMAN (TV – Fox, Kane, etc./La-La Land), WONDER WOMAN/Gregson-Williams/WaterTower + more
Book, Soundtrack, Vinyl & Game Music News
Click here to read the column at buysoundtrax.com
My April 2017 Soundtrax column has just posted:
- Trevor Morris – Scoring EMERALD CITY
- Chris Bacon – Five Seasons in the BATES MOTEL
- The Animated Musical World of HEITOR PEREIRA
- CLINICAL (Hultquist), COLOSSAL (McCreary), FRANKENSTEIN (Cauthery), The GAME OF THRONES Symphony (Silva Screen), THE MAN IN THE HIGH CASTLE (Jackman & Lewis). MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA (Sharone), POWER RANGERS (Tyler), THE THIEF OF BAGDAD (Rózsa/Tadlow) + more.
Soundtrack & Game Music News
Click here to read the column at buysoundtrax.com
Speaking with the Players:
My interview with virtuoso erhu player Karen Han, noted for playing on numerous film soundtracks including PIRATES OF THE CARIBBEAN: AT WORLD’S END and many others, has been archived on Karen’s web site here. It originally appeared on the musicfromthemovies web site, which is sadly now defunct.
My interview with soprano Karen Hogle Brown, who’s sung solo and with chorus on numerous film scores including AVATAR, is included in my July, 2015 Soundtrax column, available here. Both interviews provide insight into the unique perspective of the instrumentalist and vocalist performing on modern film scores.
Video: The Making of the SHARKNADO 4 Score
Composers Chris Ridenhour and Chris Cano. specialists in bringing The Asylum’s wild and whacky sci-fi films to a polished, cinematic musical energy, have posted a short video on YouTube about how the latest of the SHARKNADO scores was made. This one features a super-hero theme matched with epic, apocalyptic orchestral crescendos using a powerful mix of digital and live symphonic orchestras. Watch the video here .
RDL’s “The Score” columns from Cinefantastique, interviews from CinemaScore & Soundtrack Magazine Archived
Prior to writing Musique Fantastique and Music from the House of Hammer, my primary film music writing endeavors were soundtrack reviews for Soundtrack Magazine (previously called Soundtrack Collector’s Newsletter when I started), then I began doing interviews with composers for CinemaScore: The Film Music Journal which I acquired from its former publisher in 1981 and edited/published until 1987, and later a number of other magazines. With the exception of the occasional issue turning up on amazon or eBay, these magazines are pretty much long out of existence, but increasing portions of their content (and not just my own contributions, thankfully!) in online archives. The CinemaScore and Soundtrack Magazine Archives web site, published in The Netherlands at www.runmovies.eu/, continues to preserve many of the articles, reviews, and interviews from these vintage film music periodicals (both of which predated the modern print and online magazines and, for a decade or two were the only magazines devoted to this topic until the advent of Film Score Monthly in the US and Music from the Movies in the UK. There’s also a very nice tribute to what CinemaScore magazine meant to some in its day, from Roger Feigelson, which I am very grateful for – link to it here). In addition to archiving content from Soundtrack and CinemaScore, publisher Jeannot Boever is also posting new interviews and reviews as well as archiving out-of-copyright content from the original film music magazine, titled simply Film Music, from the 1950s, featuring articles written by prominent composers on their recent scores. (Incidentally, Boever also manages a Hugo Friedhofer website, preserving old and new articles, reviews, and interviews).
In other pre-Musique Fantastique archive news, Along with the occasional soundtrack review, I wrote most of Cinefantastique magazine’s film music/composer interview oriented “The Score” columns from 1982 to 1999, and then in the magazine’s online incarnation from 2009 to 2011. The latter are archived at Cinefantastiqueonline at this link, and include interviews of such variety as John Debney (IRON MAN 2, PREDATORS), Brian Tyler (THE FINAL DESTINATION), Robert Carli (George A. Romero’s SURVIVAL OF THE DEAD), Tom Hiel (SHARKTOPUS), Tyler Bates (HALLOWEEN II), Rafael May (Australia’s crocodile terror thriller BLACK WATER),l and Brian Ralston & Kays Al-Atrakchi (SyFy’s BATTLE OF LOS ANGELES). – rdl 06/27/16